Iron & Wine
Handsome Tours, Double J and CRH Presents
- Contemporary Music
- CRH Presents
Booking fees:
A booking fee of $8.50 per transaction applies
A booking fee of $8.50 per transaction applies
TICKETS SELLING FAST
Beloved US indie folk icon Iron & Wine returns to Sydney in March.
Iron & Wine, the moniker of singer/songwriter and film studies lecturer Sam Beam, returns for the first time since 2018 – this time as soloist in a captivating performance, drawing from his transcendent and illuminating body of work.
Known for his deeply burnished vocals, keen melodic sensibility, and introspective, free-flowing lyrical point of view, Iron & Wine is one of the preeminent artists and collaborators of the first wave of indie folk. Following his most recent EP release of covers, Making Good Time – a collaboration with Ben Bridwell (Band of Horses) – and his 2024 full length album Light Verse, Iron & Wine comes to City Recital Hall off the back of a huge US tour with award-winning trio I’m With Her and Seattle favourites Band of Horses.
His beautiful singing voice: a sublimely breathy delivery… a seductive, rich baritone combined with a southern drawl and charming humility that wooed the audience’s collective socks off. The Music
★★★★ The Guardian
Joining Iron & Wine is special guest Leah Senior
Australian folk diviner Leah Senior captivates with vivid lyricism and a soaring, Sandy Denny–like clarity. Her fourth album The Music That I Make (2023, Poison City Records) is her most intimate to date, an autumnal cycle of reflections on creativity that blends baroque pop playfulness with fragile bedroom folk.
After releasing earlier albums via Flightless Records, Leah toured North America with King Gizzard & The Lizard Wizard in 2022, performing at venues including Red Rocks, and has since returned for multiple headline and collaborative tours. She has shared stages with Wilco, Jessica Pratt and Bedouine, and appeared at festivals such as Desert Daze, Levitation and Golden Plains.
In 2025, Leah was named Poet in Residence for Radio National’s Poetry Month and made international headlines as the first Australian artist to remove her music from Spotify, sparking debate around artist independence and community-led music.
