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Four of Australia’s best-loved artists in the performance of a lifetime

Over four decades, Genevieve Lacey – Australia’s own recorder queen – has built an extraordinary, multi-faceted career.  

From guest soloist with some of Europe’s most acclaimed early music ensembles to commissioning new works by the great composers of the 21st century, the common thread connecting it all is Lacey’s artistic curiosity, her generous connection with audiences and her expressive musicianship.  

This program invites you into Lacey’s fascinating musical world. One where ancient dances meet modern textures, and a centuries old instrument travels through time. From Medieval and Baroque to contemporary soundscapes you’ve never imagined, accompanied by the Sydney Symphony Orchestra.  

Lisa Illean and Tom Coult take inspiration from past masters, reimagining ancient music for a new century. Thomas Adès and Alice Chance adapt familiar folk tunes, shanties and reels and rework them for the concert hall.  

Caroline Shaw’s Entr’acte opens with sense of classical order, then finely warps it. And Erkki Veltheim’s Playford Maze reimagines dances, transforming them into shimmering patchwork.    

Don’t miss this rare chance to hear the recorder sing, skip, mourn and dream across time.   

  • Erkki Veltheim
    A Playford Maze – A Montage from the Dancing Master 
    Lisa Illean
    Chansons (after Gilles Binchois)
    Tom Coult
    Prelude (after Monsieur de Sainte Colombe) 
    Lisa Illean
    New Work (World Premiere)
    Caroline Shaw
    Entr'acte
    Sammartini
    Recorder Concerto in F
    Thomas Adès
    Shanty – Over the Sea
    Alice Chance
    Nose Scrunch Reel

  • Genevieve Lacey
    Recorder

    Musicians of the Sydney Symphony Orchestra