As a 15-year-old student nearing the end of his first year at the Vienna Conservatory, Gustav Mahler composed one movement of a piano quartet, a work that always gives the impression that something bigger is struggling to emerge. Following Mahler’s own tradition of enlarging certain chamber pieces, this program includes an orchestration of the quartet, made by the outstanding violinist Harry Ward: an ANAM alumnus and a Musica Viva FutureMaker.
Alfred Schnittke was keenly aware of his Soviet/German musical heritage, even as he stomped on it in heavy boots. Yet his piano concerto is a touching affirmation of his artistic roots, and his affection for Tchaikovsky makes the two Russians good bedfellows, the elder’s Serenade here prefaced by Estonian composer Mihkel Kerem’s Lamento, a work of searing beauty.
ANAM’s ensemble of wonderful young string players is directed with equal verve by the terrific Sophie Rowell, one of Australia’s most admired instrumentalists. They are joined onstage by Adelaide’s brilliant, Russian-trained Konstantin Shamray.
A pianist of great intelligence matched by tremendous power
Please note Musica Viva and City Recital Hall will continue to apply NSW Public Health Orders as they relate to ticketing and seating arrangements. As these Orders can change at very short notice, Musica Viva will be allocating seats closer in time to concert dates than they have in previous seasons. This will allow us to maintain a COVID-19 safe environment. By purchasing tickets through City Recital Hall, the patron agrees for their data to be handed over to Musica Viva for allocation purposes only, their data will not be used for any marketing purposes unless previously indicated.
Visitor Safety Information
Before you arrive at City Recital Hall, familiarise yourself with our new venue protocols here.
Please do not attend this event if you are feeling unwell. If you have tickets and are no longer able to attend: