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Bach holds a special place in the heart of every ACO musician. In this program, they explore his genius with an impressive line-up featuring Richard Tognetti, Erin Helyard, Brett Dean and ACO Principal Cello, Timo-Veikko Valve.

Richard Tognetti’s solo violin opens the program. Its pure, captivating tone sets the scene before giving way to the vibrant lyricism of the Sonata in A major for violin and harpsichord. A favourite of Richard’s and audiences alike, his recording of the complete Bach Sonatas for violin and harpsichord won an ARIA Award for Best Classical Album.

Brett Dean features as both composer and performer in this program. Commissioned by the ACO and the Swedish Chamber Orchestra, his Approach (Prelude to a Canon), was written as a prologue to Bach’s Brandenburg Concerto No.6, leading directly into what he calls the “close, contrapuntal companionship” of the voices in Bach.

Bach’s inventive Brandenburg Concertos are one of his many crowning achievements. The Sixth Concerto is the most intimate of all and a striking and elegant finale to the famous suite.


Details are correct at time of publication

  • Bach
    Andante from Sonata for Solo Violin No.2 in A minor
    Bach
    Sonata for Violin and Harpsichord No.2 in A major
    György Kurtág
    Hommage à J.S.B. from Signs, Games and Messages
    Bach
    Selections from Three-Part Inventions
    Marais
    Sonnerie de Sainte-Geneviève du Mont de Paris
    Brett Dean
    Approach (Prelude to a Canon) (Australian Premiere*)
    Bach
    Brandenburg Concerto No.6 in B flat major

    *Commissioned by the Australian Chamber Orchestra and the Swedish Chamber Orchestra.

  • Director & Violin
    Richard Tognetti
    Viola
    Brett Dean
    Harpsichord
    Erin Helyard
    Cello
    Timo-Veikko Valve