Death and music have always made an unlikely couple. But perhaps no two composers have directly reflected on their own mortality more than Schubert and Messiaen.
Written and premiered in the dead of winter whilst Messiaen was a prisoner of war at a Nazi Stalag Camp, Quartet for the End of Time not only presents Messiaen’s spiritual resilience, but also the unlikely combination of piano, clarinet, violin and cello. This unusual instrumentation was a reflection of the resources available in the camp.
Schubert’s Death and the Maiden was one of his last works, written as he suffered from a long illness. Both pieces are not just reflections of mortality, but an affirmation of life.
Also included in this performance is a rare presentation of Samuel Barber’s Adagio for Strings rendered in the original string quartet version. A staple piece with orchestras since its premiere, this work becomes personal in its original chamber form.
“…some of Australia’s finest string and wind players.” Sydney Arts Guide
Barber Adagio for Strings, Op.11
Messiaen Quatuor pour la fin du temps (Quartet for the End of Time)
Schubert String Quartet No. 14 in D minor, D.810 'Death and the Maiden'
Alexandra Osborne violin
Airena Nakamura violin
Neil Thompson viola
Paul Stender cello
David Rowden clarinet
Maria Raspopova piano
City Recital Hall Member $107.10
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Details are accurate at time of publication.