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Level 1 / 12.15pm - 1.30pm

The physical album launch of Cameron Lam’s new song cycle, The Art of Disappearing, based on the poetry of Sarah Holland-Batt and performed by new music champion Jenny Duck-Chong (Halcyon) and the preeminent Geist String Quartet.

Limelight Magazine has described Cameron’s music as “a fantastical world in which mythological stories comes to life”. But drawn to the raw and profound poetry from Sarah’s collection Aria, in this new work he has set aside mythic grandeur and has delved deep into the traditions of art song and string quartet repertoire in search of a work of intimate connections.

These eight songs and four instrumentals together tell stories of reminiscence, loss and grief through time. The cycle doesn’t present loss as something to solve; instead, it paints the inexorable journey from stasis, as we learn to move again…

Program current at time of publishing but may be subject to change.

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…engaging and thought-provoking; serious, yet delightfully witty and ultimately uplifting in its humanity and vision.

SoundslikeSydney

Program

Cameron Lam
The Art of Disappearing 

Program current at time of publishing but may be subject to change

Artists

Sarah Holland-Batt
Poet
Jenny Duck-Chong
Mezzo-soprano
Sonia Wilson
Violin One
Mia Stanton
Violin Two
Hayasa Tanaka
Viola
James Larsen
Cello

Artist Bio

Cameron Lam – Composer

Cameron Lam is a freelance composer, the Artistic Director of Sydney-based hybrid-art production company, Kammerklang, and the Art Music Specialist at the Australasian Performing Rights Association (APRA AMCOS). After completing his Bachelor of Music Composition (Honours) at the Sydney Conservatorium, Cameron’s career has focused on collaboration, interdisciplinary practice, and entrepreneurship. 

He is proud to be an Australian Music Centre represented composer, Fine Music 102.5FM’s 2018 Stephen Kruger Scholar, and featured in US publisher NewMusicShelf’s recent ‘Anthology of New Music for Mezzo Soprano’.  

Sarah Holland-Batt – Poet

Sarah Holland-Batt is an award-winning poet, editor, critic and academic. Born in Southport, Australia in 1982, she grew up in Australia and the United States, and has lived in in Italy and Japan. Her first book, Aria, was the recipient of several literary prizes, including the Anne Elder Award, the Arts ACT Judith Wright Poetry Prize and the Thomas Shapcott Prize, was shortlisted in both the New South Wales and Queensland Premiers’ Literary Awards, and was commended for The Age’s Poetry Book of the Year. 

Jenny Duck-Chong – Mezzo soprano

With a career spanning more than 25 years, Mezzo soprano Jenny Duck-Chong has established herself as a versatile and intelligent musician with extensive experience in a broad range of classical repertoire. As a soloist, she has been acclaimed for her intense and dramatic portrayals of tragic heroines, such as Purcell’s Dido, Monteverdi’s Arianna and Britten’s Phaedra, her stylistic renderings of Baroque masterworks as well as her formidable and engaging performances of contemporary works such as Ligeti’s Sippàl, Dobbàl, Nahigeduvel, Macmillan’s Raising Sparks, Benjamin’s Upon Silence and Berio’s Folksongs. 

Geist String Quartet

Formed in 2015, the Geist String Quartet has quickly established itself as one of Sydney’s preeminent young ensembles. Following festival performances at Frenswegen (Germany), Orford (Canada), Turin and Verona (Italy), and Bangalow (Australia), the Geist Quartet has received praise for their interpretations of Mozart, Beethoven, and 20th century works. 

To find out more about The Art of Disappearing click here.